Pitch — Where Violence Lingers: Landscapes of Mines, Lemon Groves, and Graffiti

This series starts from a simple idea: violence works like a form of pollution.

The first time I went to Tierra Caliente, five years ago, armed clashes were constant. People were demanding peace. Rival cartels were fighting over territory and towns were left desolate.

What I found when I returned was different.

There is now an apparent calm, but it feels tense and desolate, as if the place doesn’t fully feel real.
There is an alliance between groups, but the territory did not recover.

Bullet marks are still there, covered with filler and paint that barely hides the cartels’ initials. Houses remain abandoned, just patched up. There is military presence, but also caution and distrust toward anyone coming in or out.

In some areas, the land is still dangerous. Mines were left behind. People have been injured trying to return to their own fields.

After the death of Nemesio Oseguera Cervantes, leader of the Jalisco New Generation Cartel, there were roadblocks and violence across different regions. In the town where he was born, cars were burned and roads were shut down. For days, no one could leave.

Unlike other parts of the country, here violence stays.
And over time, it changes everything.

Rosi, a gas vendor in Aguililla, puts it this way:
it’s never calm here. Living in tension is normal. Some days you can’t tell what’s normal anymore.

It got into the houses, into the ground, into the way people live.

It displaces, leaves spaces unused, and reshapes the territory.

The story is not only in what happened.
It is also in the territory.

Between lemon groves and blooming primavera trees, these towns remain in desolation.

This series examines violence not as an isolated event but as a persistent condition that permeates territory, social relations, and everyday life, unfolding in the period leading up to the World Cup. Drawing from repeated visits to Tierra Caliente, it proposes violence as a form of contamination—one that lingers materially in landscapes marked by bullet scars, abandoned homes, and residual threats such as landmines, while also reshaping patterns of habitation, mobility, and trust. Even amid the anticipation and national visibility associated with the upcoming tournament, the region remains structured by tension and uncertainty, revealing how prolonged exposure to violence reconfigures both physical space and collective perception. Through testimonies and visual traces, the work shifts the focus from spectacular episodes of conflict to their enduring aftermath, emphasizing how violence embeds itself into the environment and becomes normalized within daily experience.

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前へ

FOXES, RACCOONS AND TIPSY FISHERMEN